La Torre del Oro Christina Pluhar / L’Arpeggiata Céline Scheen, Luciana Mancini, Vincenzo Capezzuto, Manuel A. Sanchez Erato Christina Pluhar continues to be one of the most persuasive and, frankly, funky musical chameleons of the current moment. While she may not be the first to take a voyage from Spain through South America the level of fluency in this release is quite breathtaking. Named after a 12-sided watchtower (a regular dodecagon if you prefer) near Seville which once overlooked the Spanish Galleons as they set sale for ‘the New World’ and returned with plundered treasures, musical or otherwise; this is the same musical exchange that once captivated David Munrow who, travelling to Peru in the early 60s was entranced by similarities between instruments of the European Renaissance and modern folk instruments. Like Munrow, Andrew Lawrence-King (especially La Púrpura de la Rosa 07/99) and many others, Pluhar has created an album infused with a range of sounds from bright harpists...
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Falsettist
Early music and more by Edward Breen
Where possible, review entries are linked to their original publication.
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BENEVOLI Missae Angelus Domini. Dum complerentur
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Francisco Garro (c.1556-1623) DOUBLE ALBUM REVIEW
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Book review: Historical Performance and New Music Aesthetics and Practices
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Classics Reconsidered: Otto Klemperer's recording of Bach’s St Matthew Passion
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Classics Reconsidered: Murray Perahia’s 1996 recording of Handel and Scarlatti
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John Dowland at 400: the Renaissance master’s enduring appeal
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Dialogos: Francis of Assisi meets Malik al-Kamil
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