Cristo: Magnificat, Marian Antiphons & Missa Salve regina
Cupertinos, Luís Toscano
Hyperion CDA68393
It is a deep pleasure to hear this ensemble flourish. Since winning the 2019 Gramophone early music award 2009 it has become increasingly obvious that the singers of Cupertinos and their musicologist-director Luís Toscano have a unique take on the golden age of Portuguese polyphony, and this is only further strengthened by this new release of Marian works by the extraordinarily under-recorded Pedro de Cristo (c.1550-1618). But this disc is much more than a programme of musical treasures, it is also a milestone for Cupertinos: the arrival of a more confident, robust sound and, crucially, new-found rhythmic drive.
[...]
One of the strongest points about this ensemble is their balance of inner voices—altos sounding consistently strong in their lower ranges and tenors spinning light, untroubled top notes—it’s hard to tell which is which at times and this strong core to their sound is part of their confident persona – in the 4vv Missa Salve Regina the equal pitch entries on Et iterum venturus est repeatedly hit their mark with the insistence of a darts champion. This core also stabilises the sopranos' pretty flutter and balances the rich basses. I could go on. As if the musicological discoveries were not enough, I’m now quite bewitched by this glorious, Iberian sound world.
To read the full text of this review please visit www.gramophone.co.uk (December 2022)
Publications by Edward Breen
This blog provides a central collection of CD reviews, magazine features and academic publications.
Where possible, entries are linked to their original publication.
4 Dec 2022
3 Dec 2022
The Sword & the Lily: 15th-Century Polyphony for Judgement Day
The Sword & the Lily: 15th-Century Polyphony for Judgement Day
Fount & Origin / James Tomlinson
Inventa Records INV1008
I am enormously fond of a good programme concept and this debut album from early music ensemble Fount & Origin offers "a musical meditation on the Franco Flemish painter Rogier van der Weyden’s altarpiece image of The last judgement at the end of time". This multipaneled work in the genre known quaintly as ‘doom’ hung in a hospice to urge patients towards last-minute repentance. As visual art could persuade, so people believed that listening to polyphony, even if you couldn't sing it yourself, also offered a pathway to salvation. Thus, nine 15th century polyphonic works from the 15th century trace themes and characters in the painted panels and form a solid musical arc bookended by Requiem movements.
[...]
The highlight for me is Johannes Regis’ (1425-c.1496) bold and confident Missa L’homme armé / Dum sacrum mysterium: Kyrie. The beauty of the voices and subtly of this performance marks this album as a debut of note.
Fount & Origin / James Tomlinson
Inventa Records INV1008
I am enormously fond of a good programme concept and this debut album from early music ensemble Fount & Origin offers "a musical meditation on the Franco Flemish painter Rogier van der Weyden’s altarpiece image of The last judgement at the end of time". This multipaneled work in the genre known quaintly as ‘doom’ hung in a hospice to urge patients towards last-minute repentance. As visual art could persuade, so people believed that listening to polyphony, even if you couldn't sing it yourself, also offered a pathway to salvation. Thus, nine 15th century polyphonic works from the 15th century trace themes and characters in the painted panels and form a solid musical arc bookended by Requiem movements.
[...]
The highlight for me is Johannes Regis’ (1425-c.1496) bold and confident Missa L’homme armé / Dum sacrum mysterium: Kyrie. The beauty of the voices and subtly of this performance marks this album as a debut of note.
To read the full text of this review please visit www.gramophone.co.uk (December 2022)
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