(Gramophone, May 2015)
Robert Thurston Dart (1921-1971) was one of the great autodidacts of the twentieth century. In the days when opportunities for performance or study of pre-Classical music were rare, he—like so many pioneers—travelled his own idiosyncratic route.
A choirboy at the Chapel Royal, Hampton Court, Dart caught the attention of the redoubtable Edmund H. Fellowes, arguably the leading expert on early English choral music of his time. In the 1930s he sang for children’s hour broadcasts and later studied with Arnold Goldsborough at the Royal College of Music before reading Mathematics at Exeter University. In 1942 he was called to wartime service with the RAF where, post D-day, he survived crash-landing in a mined field outside Calais. Recuperating in hospital he met the young violinist, Neville Marriner, and one of the key musical partnerships of the early music revival was ignited. Dart left the army on the understanding that he would pursue postgraduate statistical research at Cambridge University but instead travelled to Belgium to study with the Flemmish musicologist Charles van den Boren. Returning to England with a dazzling keyboard technique and keen research acumen he worked at Cambridge University when he was appointed a Professor in 1962.
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