Balkan voices and medieval music in the work of Michael Morrow and Musica Reservata
Guest Blog for Semibrevity: A blog about early music pioneers
Michael Morrow (1929-94) was the director of Musica Reservata, an early music ensemble active in the 1960s and 70s with a repertoire that spanned from medieval to baroque.
Although Morrow was the director and often the editor of the editions used by the ensemble, harpsichordist John Beckett conducted performances. The ensemble included many superb musicians such as the organologist and percussionist Jeremy Montagu; recorder player John Sothcott; singers Ian Partridge, Nigel Rogers, Grayston Burgess, Paul Elliot and Jantina Noorman; and other instrumentalists David Fallows and Christopher Page, David Munrow, Anthony Rooley and Andrew Parrott. Parrott, incidentally, also conducted the ensemble in the early 70s after Beckett’s departure. Musica Reservata was not of course the only early music outfit to boast such specialist personnel at that time, but it does appear to have been quite an important meeting place for those musicians who specialised in medieval repertoire.
For the full text of this article please visit: http://bit.ly/1pIWDi4
Michael Morrow (1929-94) was the director of Musica Reservata, an early music ensemble active in the 1960s and 70s with a repertoire that spanned from medieval to baroque.
Although Morrow was the director and often the editor of the editions used by the ensemble, harpsichordist John Beckett conducted performances. The ensemble included many superb musicians such as the organologist and percussionist Jeremy Montagu; recorder player John Sothcott; singers Ian Partridge, Nigel Rogers, Grayston Burgess, Paul Elliot and Jantina Noorman; and other instrumentalists David Fallows and Christopher Page, David Munrow, Anthony Rooley and Andrew Parrott. Parrott, incidentally, also conducted the ensemble in the early 70s after Beckett’s departure. Musica Reservata was not of course the only early music outfit to boast such specialist personnel at that time, but it does appear to have been quite an important meeting place for those musicians who specialised in medieval repertoire.
For the full text of this article please visit: http://bit.ly/1pIWDi4
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