Missa Videte miraculum & Ave Maria, ancilla Trinitatis
Missa Videte miraculum & Ave Maria, ancilla Trinitatis
Nicholas Ludford (c1490-1557)
Westminster Abbey Choir, James O'Donnell (conductor)
Hyperion CDA68192
The modern reputation of Nicholas Ludford (c1490-1557) was really sealed by the first recordings of The Cardinall’s Musick in the early1990s (ASV Gaudeamus CDGAU131, 132, 133, 140). These pioneering discs transformed Ludford from being considered a bridge—linking Robert Fayrfax with John Taverner—to one of the most prolific composers of masses in Tudor England and a great pre-reformation musician. [...]
O’Donnell treads a conservative path through the richly textured Missa Videte miraculum. In the Gloria the Lay Vicars create a luscious, serene opening which the treble voices later expand into a full six-part texture.
Nicholas Ludford (c1490-1557)
Westminster Abbey Choir, James O'Donnell (conductor)
Hyperion CDA68192
The modern reputation of Nicholas Ludford (c1490-1557) was really sealed by the first recordings of The Cardinall’s Musick in the early1990s (ASV Gaudeamus CDGAU131, 132, 133, 140). These pioneering discs transformed Ludford from being considered a bridge—linking Robert Fayrfax with John Taverner—to one of the most prolific composers of masses in Tudor England and a great pre-reformation musician. [...]
O’Donnell treads a conservative path through the richly textured Missa Videte miraculum. In the Gloria the Lay Vicars create a luscious, serene opening which the treble voices later expand into a full six-part texture.
[...]
The finest singing on this disc however, is undoubtedly Ave Maria, ancilla Trinitas: an exceptional work and a superb performance. The choir are heard at their finest in the more impassioned moments, of which this votive antiphon offers many.
To read the full text of this article please visit www.gramophone.co.uk (March 2018)
To read the full text of this article please visit www.gramophone.co.uk (March 2018)
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