Salve, Salve, Salve

Salve, Salve, Salve: Josquin’s Spanish Legacy
Contrapunctus, Owen Rees
Signum SIGCD608

All roads lead to Josquin, even those routed through the Iberian Peninsula. This superb new recording from Owen Rees and Contrapunctus charts a key way in which Josquin’s influence continued to mushroom after his own prolific career by exploring ostinato technique—the repeated use of a musical motto as binding agent in the polyphonic texture—through motets by Morales (c.1500-1553) and Guerrero (1527/8-1599) alongside Victoria’s (c.1548-1611) broad and statuesque Missa Gaudeamus.


This same rising motto is found in the top voices of Victoria’s Missa Gaudeamus, an elongated, arching phrase which Rees links to Josquin’s language. More polished in this performance but slightly more reserved than the Lay Clerks of Westminster Cathedral / Matthew Martin (Hyperion CDA67748) the smouldering slow burn approach of Contrapunctus pays continued dividends throughout this mass. What is lost from the Westminster Cathedral performance in terms of vocal heft and sheer thrilling energetic uplift is gained in finesse and brilliant sheen. 


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